We were prepping for a shoot. The date was fast approaching, and the client was racking up costs because they knew they had to go international for budget reasons — but couldn't decide between Canada, South Africa, and Portugal. We ended up doing location scouting for all three. A decision finally came down four weeks before the shoot started.
That's not a horror story. That's Tuesday. That's what international production looks like when the stakes are real and the variables are infinite — flights, permits, crew rates, weather windows, exchange rates, time zones, and a client who needed to be certain before they could commit.
I've been in that room more times than I can count. And I don't tell that story to criticize anyone in it. I tell it because it's the clearest illustration I know of what production actually costs — not in dollars, but in exposure.